Stephanie Eslake is an award-winning arts journalist and founding editor of national music magazine CutCommon. She works freelance from her home in Tasmania.
You might’ve seen Stephanie’s words published in The Guardian, Meanjin, The Mercury, SBS, Limelight Magazine, ArtsHub, The Herald Sun, and The Music, among others.
Stephanie also creates content for educational institutions and arts organisations. Some recent corporate clients include the Tasmanian Symphony Orchestra, Ten Days on the Island, and Melba Opera Trust.
Posts of interest
A Q&A with the Australian comedian and musician. By Stephanie Eslake, CutCommon, 2020.
A showcase of the Tasmanian Symphony Orchestra’s vocal talent during COVID-19 lockdowns. By Stephanie Eslake, TSO News, 2020.
An interview feature with the composer of The Lord of the Rings. By Stephanie Eslake, CutCommon and Level and Gain, 2020.
Founded in 2014, CutCommon is Australia’s independent classical and new music magazine. As editor, Stephanie works to showcase emerging and established industry talent, and mentors new voices in music journalism.
“CutCommon addresses a crisis in music coverage and criticism with a smart, flexible solution committed to diversity of voices, new talent and innovation and, above all, wider access to classical music. It has the potential to greatly enhance Australia’s ecosystem of artists, media and audiences.”– Classical:NEXT 2017 Innovation Award (shortlisted)
A quick-turnaround commission about this natural phenomenon. By Stephanie Eslake, The Guardian, 2020.
Homage to an Australian composer. By Stephanie Eslake, first published through the Kill Your Darlings New Critic Award, then in CutCommon, 2019.
An in-depth exploration into game scoring and composition. By Stephanie Eslake, first published through the Kill Your Darlings New Critic Award, then in Level and Gain, 2019.
An opinion piece about Tasmania’s arts and cultural landscape at the time of writing. By Stephanie Eslake, Kill Your Darlings, 2017.